Posted by Rebecca Payne
Posted by Rebecca Payne
Posted by Rebecca Payne
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5) FLEXIBILITY OF THOUGHT. How many perspectives can I look at this from?
Task; working with a partner, you have 2 minutes to come up with a way that you could use an art form to interact with this site.
Posted by Rebecca Payne
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Polly Braden; 'Adventures in the valley'.
Alice Oswald recorded many conversations she had with those who live and work on or near Dart River (in Devon). She used their voices, dialects, expressions, pleating them into this long multi-faceted text.
The resulting text is a mix of prose poetry rendering carefully selected and adjusted spoken language (the text never sounds as if it was the simple transcription of taped conversations) and quite lyrical poetry in stanzas.
It changes rhythm, tone, is rich in alliterations and plays on sounds. "Dart" refers to local people as well as to characters form the Greco-roman mythology.
The fact the poem goes on over 48 pages gives it a flowing quality, which cleverly suggests a river. Since the Dart is very short, most of the river is affected by the nearby sea's tides, and the mentioned animals, birds and fish can be either fluvial or marine.
Alice Oswald has managed to stitch sections end to end with almost invisible seams. She just changes subjects, makes them flow into each other.
This is a radically atypical piece, a long, creative journey into a world of water and words.
Richard Long
Dan Eldon; the journey is the destination;
Posted by Rebecca Payne
a concrete cast of the inside of an entire Victorian terraced house completed in autumn 1993, exhibited at the location of the original house — 193 Grove Road — in East London (all the houses in the street had earlier been knocked down by the council). It drew mixed responses, winning her both the Turner Prize for best young British artist in 1993 and the K Foundation art awardfor worst British artist.[4] Tower Hamlets London Borough Council demolished House on 11 January 1994,[5] a decision which caused some controversy itself.
The critical response included:
"A strange and fantastical object which also amounts to one of the most extraordinary and imaginative sculptures created by an English artist this century.
"Denatured by transformation, things turn strange here. Fireplaces bulge outwards from the walls of House, doorknobs are rounded hollows. Architraves have become chiselled incisions running around the monument, forms as mysterious as the hieroglyphs on Egyptian tombs."
Posted by Rebecca Payne
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Posted by Rebecca Payne
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